競賽主席的話

Words from our chairperson

Chairperson
Katherine Hui-ling Chou

Distinguished Professor of Eng. Dept., National Central Univ., Taiwan; project director of Performance Center at NCU; founder of ETI, a digital archive of Taiwan’s modern theatre since 1985; Awardee of NCU Outstanding Research, 2005, 2009-14, 2020; Playwright/director of Creative Society Theatre Troupe since 1997.

After receiving her PhD of Performance Studies at NYU, USA, Katherine Hui-ling Chou co-founded Creative Society Theatre Troupe in Taipei, and has been the troupe’s core member, director and playwright since 1997. Her artistic credits include: The Apocalypse of Fudingjin (playwright/director, Wei Wu Ying National Kaohsiung Center for the Arts, 2020), Jian Ji: A Just Life (playwright, Grand Opening of Wei Wu Ying, National Kaohsiung Center for the Arts, 2018); President’s Invitation (director of the 3.0 edition, MFA Theatre Troupe of Nanjing Univ. China, 2015~); One Hundred Years on Stage (co-playwright, premiered in 2011); Have Wok, Will Travel (playwright/director, Creative Society, CS, premiered in 2011); He Is My Wife, He Is My Mother (playwright/director, CS, 2009, 2010, 2017, 2018); Dreams on Manuscript (playwright, 2009), to be AND not to be (playwright/director, CS, 2006-2008); Reel Murder (director, CS, 2005), Click, My Baby (playwright/director, CS, 2004), Dejavu (director, CS, 2003, 2006), Memory Album (playwright/director, CS, 2002); I Want You, I Want You Not (playwright/director, CS, 2000).

She is also the author of Performing China: Actresses, Visual Politics and Performance Culture, 1910s-1945, and numerous refereed journal articles and chapters of refereed books edited by Richard Schechner (MIT,USA), David Der-wei Wang (Harvard U. Press, USA), Ru-ru Li (Palgrave,UK), Steve Siyuan Liu (Routledge, Canada), etc. Her current research focus is on performing arts in creative industry, and digital theatre/performance. She initiated the World Sinophone Drama Competition for the Young Playwrights in 2015 and has since then chaired the Competition.

Co-Chairperson
Lu Xiaoping

Graduated from the Department of Chinese Literature of Nanjing University spring 1982. Received a doctorate in literature from Nanjing University 1998. Lectured for a year at I'Université d'Artois in France from 1999 to 2000. Lectured in Hankuk University of Foreign Studies in South Korea for a year in 2015. Former associate dean of the School of Liberal Arts and chair of Department of Theatre, Film & TV, Nanjing University. He was also the vice-chairman of the China Theatre Association in Jiangsu province. Currently editor-in-chief of Stage and Screen Reviews.

The World Sinophone Drama Competition for Young Playwrights is open to young writers (age 18 to 36) worldwide. It accepts scripts written in either Chinese or English, and seeks to encourage production of new dramatic works that reflect upon global Chinese culture from a variety of perspectives and enrich our understanding of Sinophone cultures, circulations, histories, and communities. Since 2015, the winning plays have been staged in more than ten cities around the globe (Taipei, Tainan, Kaohsiung, Chiayi, Macau, Vancouver, New York, Nanjing, Beijing, Shanghai, Monterrey and Mexico City) and published as bi-lingual E-books.

Winners of the competition will receive a monetary prize, a translation of their winning work (either from English to Chinese, or vice versa), and a bi-lingual e-publication of the winning works. The premiere staged reading and workshop will be held during July to September in 2025. In addition, a series of readings by our partners around the world over the following three (3) years will offer winning playwrights an unprecedented opportunity for international circulation of their work. (The collaborating organizers of the competition are from Taiwan, United States, Canada, United Kingdom, Singapore, China and Macao, among others.) For further details, please see the official Terms and Conditions.

It takes time for a river to carve a canyon, so as for a play to be elaborated from a script to an outstanding performance. Accordingly, since the 4th competition, we have arranged dramaturge for the winners, along with 1-2-months of revise
before their works’ first debut in Taiwan during July to September, 2025. We take the inherently hybrid and diverse locale of Taiwan as our main stage for engaging artists and audiences both in and beyond the Sinophone. We especially seek new
works of hybridized cultural and dramatic aesthetics that will add new voices to Sinophone theatre and further invigorate the already diverse field of global Sinophone cultures.

徵件辦法下載

Download Official Terms and Conditions

競賽主旨

Our Goals

The World Sinophone Drama Competition for Young Playwrights is open to young writers (age 18 to 36) worldwide. It accepts scripts written in either Chinese or English, and seeks to encourage production of new dramatic works that reflect upon global Chinese culture from a variety of perspectives and enrich our understanding of Sinophone cultures, circulations, histories, and communities. Since 2015, the winning plays have been staged in more than ten cities around the globe (Taipei, Tainan, Kaohsiung, Chiayi, Macau, Vancouver, New York, Nanjing, Beijing, Shanghai, Monterrey and Mexico City) and published as bi-lingual E-books. Winners of the competition will receive a monetary prize, a translation of their winning work (either from English to Chinese, or vice versa), and a bi-lingual e-publication of the winning works. The premiere staged reading and workshop will be held during July to September in 2025. In addition, a series of readings by our partners around the world over the following three (3) years will offer winning playwrights an unprecedented opportunity for international circulation of their work. (The collaborating organizers of the competition are from Taiwan, United States, Canada, United Kingdom, Singapore, China and Macao, among others.) For further details, please see the official Terms and Conditions. It takes time for a river to carve a canyon, so as for a play to be elaborated from a script to an outstanding performance. Accordingly, since the 4th competition, we have arranged dramaturge for the winners, along with 1-2-months of revise before their works’ first debut in Taiwan during July to September, 2025. We take the inherently hybrid and diverse locale of Taiwan as our main stage for engaging artists and audiences both in and beyond the Sinophone. We especially seek new works of hybridized cultural and dramatic aesthetics that will add new voices to Sinophone theatre and further invigorate the already diverse field of global Sinophone cultures.

主辦單位暨策劃執行

Organizing Institutes

|Host|

National Central University (Taiwan),

|Sponsor|

S-An Cultural Foundation

|Organizer|

Research Center for Theatre and Performance Studies at National Central University (Taiwan)

|Partner|

Taipei Performing Arts Center , School of Liberal Arts, Nanjing University (China)

|Co-Organizers|

Nanjing University Art Master Performance Group (China)

|Co-Producers|

Dept. of Theatre and Film, University of British Columbia (Canada), Dept. of East Asian Languages and Cultures, University of Washington in St. Louise (USA), stage@leeds, University of Leeds (UK), Dept. of Theater Arts at National Sun Yat-sen University (Taiwan), Dept. of Performing Arts at Shu-Te University (Taiwan), Dept. of Theatre Arts at Chinese Culture University (Taiwan), The Theatre Practice Ltd. (Singapore), BIU Theatre (Taiwan), CloudTheatre Taiwan, Center for Physical Arts Experimentation , NTUA

|Supporting Organizations|

Dept. of Drama and Theatre, National Taiwan University

|Production Partners|

Nanjing University Arts Masters Performance Group (China), Creative Society (Taiwan), Ibsen International, Tainaner Ensemble (Taiwan)