Distinguished Professor of Eng. Dept., National Central Univ., Taiwan; project director of Performance Center at NCU; founder of ETI, a digital archive of Taiwan’s modern theatre since 1985; Awardee of NCU Outstanding Research, 2005, 2009-14, 2020; Playwright/director of Creative Society Theatre Troupe since 1997.

After receiving her PhD of Performance Studies at NYU, USA, Katherine Hui-ling Chou co-founded Creative Society Theatre Troupe in Taipei, and has been the troupe’s core member, director and playwright since 1997. Her artistic credits include: The Apocalypse of Fudingjin (playwright/director, Wei Wu Ying National Kaohsiung Center for the Arts, 2020), Jian Ji: A Just Life (playwright, Grand Opening of Wei Wu Ying, National Kaohsiung Center for the Arts, 2018); President’s Invitation (director of the 3.0 edition, MFA Theatre Troupe of Nanjing Univ. China, 2015~); One Hundred Years on Stage (co-playwright, premiered in 2011); Have Wok, Will Travel (playwright/director, Creative Society, CS, premiered in 2011); He Is My Wife, He Is My Mother (playwright/director, CS, 2009, 2010, 2017, 2018); Dreams on Manuscript (playwright, 2009), to be AND not to be (playwright/director, CS, 2006-2008); Reel Murder (director, CS, 2005), Click, My Baby (playwright/director, CS, 2004), Dejavu (director, CS, 2003, 2006), Memory Album (playwright/director, CS, 2002); I Want You, I Want You Not (playwright/director, CS, 2000).

She is also the author of Performing China: Actresses, Visual Politics and Performance Culture, 1910s-1945, and numerous refereed journal articles and chapters of refereed books edited by Richard Schechner (MIT,USA), David Der-wei Wang (Harvard U. Press, USA), Ru-ru Li (Palgrave,UK), Steve Siyuan Liu (Routledge, Canada), etc. Her current research focus is on performing arts in creative industry, and digital theatre/performance. She initiated the World Sinophone Drama Competition for the Young Playwrights in 2015 and has since then chaired the Competition.