Graduated from the Institute of Theater Arts, National Taipei University of the Arts, a senior theater creator. His works have won the Golden Bell Award for Best Screenplay, the First Prize at the Taipei Film Festival, and the "Everyone's Satisfaction Award" at the Fringe Festival. Adjunct lecturer in the Department of Drama, University of the Arts, and currently an assistant professor in the Department of Performing Arts and Fashion Management at Taipei University of Ocean Science and Technology. He is an outstanding artist who can serve as a director, screenwriter, actor, producer, etc. in various positions.

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Professor in the Shanghai Theatre Academy and vice editor-in-chief of Theatre Arts . Author of Post-modern Theatre and translator of Environmental Theatre and Theatrical Experiences (戲劇經驗). Also author of stage plays such as Zhuangzi Tests His Wife (莊周戲妻), Who Killed the King (誰殺了國王), 1993 (九三年), As Dusts Settle (塵埃落定), Sister Yuqing (玉卿嫂), The Story of Chunqin (春琴傳) and Maste Hungyi (弘一法師). Winner of the 2005 National Stage Art Engineering Project’s Outstanding Stage Play Award.

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Austin graduated from Master of Fine Arts in Stage and Lighting Design, University of Southern California, USA. Worked as Senior Production Manager and Stage Designer for Cloud Gate Dance Theatre, works like Moon Water, Songs of the
Wanderers. And He has worked with other troupes as well, such as Performance Workshop, Ping-Fong Acting Troupe, Contemporary Legend Theatre, and Ming Hwa Yuan Arts & Cultural Group as stage and lighting designer or technical director for their productions. Selected honors and awards: National Award of Arts presented by the National Culture and Arts Foundation (2014); chief stage designer for the opening/closing ceremony of Taipei Deaflympics (2009); jury member of Prague Quadrennial and the convener of Taiwan team, with the Taiwan Hall project winning the Gold Medal for Best Use of Technology (2007); and Belvedere International Achievement Award presented at the Poland Presidential Palace in Warsaw (2004). From 2016 to March 2021, he was the director of Taipei Performing Arts Center, and currently the CEO of Taipei Performing Arts Center.

John B. Weinstein is Dean of the Early Colleges at Bard College, and Associate Professor of Chinese and Asian Studies at Bard College at Simon’s Rock.  A scholar and translator who publishes on Republican period mainland theatre and contemporary Taiwan theatre, he served as president of the Association for Asian Performance from 2006 to 2011.  He is the editor and co-translator of Voices of Taiwanese Women: Three Contemporary Plays (Cornell East Asia Series, 2015).  He has directed plays in both English and Chinese in the U.S. and Taiwan.   

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Writer and research scholar specializing in western contemporary theatre. Holds a doctoral degree in British and American literature from the University of Iowa, United States. Full-time professor in the Department of Drama and Theatre, National Taiwan University. Author of stage plays such as Once upon a Rainy Night , The Mahjong Game and Playing the Violin ; prose such as Tonight We Play and Misunderstanding Shakespeare ; novel Private Eyes ; and academic writings Narrating Modern Drama . Awardee of the 17th National Culture and Arts Award in 2013.

Final Review

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Distinguished Professor of Eng. Dept., National Central Univ., Taiwan; project director of Performance Center at NCU; founder of ETI, a digital archive of Taiwan’s modern theatre since 1985; Awardee of NCU Outstanding Research, 2005, 2009-14, 2020; Playwright/director of Creative Society Theatre Troupe since 1997.

After receiving her PhD of Performance Studies at NYU, USA, Katherine Hui-Ling Chou co-founded Creative Society Theatre Troupe in Taipei, and has been the troupe’s core member, director and playwright since 1997. Her artistic credits include: The Apocalypse of Fudingjin (playwright/director, Wei Wu Ying National Kaohsiung Center for the Arts, 2020), Jian Ji: A Just Life (playwright, Grand Opening of Wei Wu Ying, National Kaohsiung Center for the Arts, 2018); President’s Invitation (director of the 3.0 edition, MFA Theatre Troupe of Nanjing Univ. China, 2015~); One Hundred Years on Stage (co-playwright, premiered in 2011); Have Wok, Will Travel (playwright/director, Creative Society, CS, premiered in 2011); He Is My Wife, He Is My Mother (playwright/director, CS, 2009, 2010, 2017, 2018); Dreams on Manuscript (playwright, 2009), to be AND not to be (playwright/director, CS, 2006-2008); Reel Murder (director, CS, 2005), Click, My Baby (playwright/director, CS, 2004), Dejavu (director, CS, 2003, 2006), Memory Album (playwright/director, CS, 2002); I Want You, I Want You Not (playwright/director, CS, 2000).

She is also the author of Performing China: Actresses, Visual Politics and Performance Culture, 1910s-1945, and numerous refereed journal articles and chapters of refereed books edited by Richard Schechner (MIT,USA), David Der-wei Wang (Harvard U. Press, USA), Ru-ru Li (Palgrave,UK), Steve Siyuan Liu (Routledge, Canada), etc. Her current research focus is on performing arts in creative industry, and digital theatre/performance. She initiated the World Sinophone Drama Competition for the Young Playwrights in 2015 and has since then chaired the Competition.

Steve Ansell is the Artistic Director at stage@leeds, (University of Leeds, UK). An Artistic Director, teacher, writer and musician with over twenty five years experience Steve is also the founder of Screaming Media Productions and Gi60 (the world’s only international one minute theatre festival) and is currently an associate artist at The Viaduct Theatre Halifax, UK. Steve has directed work in the UK and US including the premiere of Dennis Kelly’s DNA at the National Theatre in London. Steve is the author of Tiny Plays: A Practical Guide to One Minute Theatre (Routledge 2017) and is currently working on a spoken word adaptation of Tang Xianzu’s ‘Nanke Ji’ entitled DREAMING Under the Southern Bough which will tour the UK and China in Autumn 2016.

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Shih-Lung Lo graduated from National Taiwan University with an MA in Theatre Studies, and he received his Ph.D. in Theatre Studies from Sorbonne Nouvelle University in Paris, France. From 2012 to 2017, he taught Chinese language and literature in Paris Diderot University and Paul Valéry University in France. In 2017 he joined the faculty of National Tsing Hua University in Taiwan. Now he is Associate Professor of the Department of Chinese Literature, and Director of Chinese Language Center of National Tsing Hua University. His Ph.D. dissertation La Chine sur la scene française au XIX e siècle was published in 2015 under the sponsorship of Chiang Ching-kuo Foundation. Besides academic writings, he has translated several French classical and contemporary plays, including Derniers remords avant l’oubli and Juste la fin du monde of Jean-Luc Lagarce, Caligula of Albert Camus, La Demande d’emploi of Michel Vinaver, Don Quichotte chez la Duchesse of Charles-Simon Favart, and Un verre d’eau of Eugène Scribe. He is also a regular contributor to Stage and Screen Reviews published by Nanjing University. From 2021 on, he participates in the production team of IC Broadcasting for the program “Open the Wardrobe: Stories Behind the Scenes.”

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(Photo: 汪正翔)

Assistant Professor and Chair, Department of Performing Arts, Shu-Te University.

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Instructor of National Taiwan University, Dept. of Drama and Theater. Acclaimed set designer.

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Actor. Instructor, Taipei National University of the Arts, School of Film and New Media.

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Rossella Ferrari is Professor of Chinese Studies in the Department of East Asian Studies at the University of Vienna, Austria. Her main expertise is in the performance cultures of the Chinese-speaking world. Her research interests include avant-garde studies, intercultural performance, intermediality, adaptation, memory studies, and transnational and inter-Asian approaches to the study of Sinophone cultural production. She is the author of Pop Goes the Avant-Garde: Experimental Theatre in Contemporary China (2012) and Transnational Chinese Theatres: Intercultural Performance Networks in East Asia (2020), and the co-editor of Asian City Crossings: Pathways of Performance through Hong Kong and Singapore (2021).